I thought I’d use this page to store the nice things people say about my songs and music. I know, how vain right? But I thought it might be a good reminder for me when in moments of self-doubt I wonder if what I do is any good. But also I thought I should have it for anyone coming here thinking of booking me for a gig. You might like to know what other people think of my songs… Of course, I’ve cut out all the ones that say how dreadful I am, and how I should cease and desist!

Aside from Martin Stephenson (a musical hero of mine!) I’d have to fess up and say most of these people are friends of mine in the local music scene. I don’t mind that, usually, I’m hoping to impress my fellow local musicians!

Responses to THE HELM WINDS EP

Mike Davis of the Brum Radio “Alternative Roots” show has done the first written review on Folking.com. Some choice quotes:

“steeped in the rich loam of English traditional folk with sparse arrangements and moody tones”
“As folk music goes, this, like the title, is of gale force proportions.”
Mike Davis

For the full (pre)review, click here

“Just played tracks 1 and 4 from your EP. I am blown away by ‘The snow it melts the soonest’.
WOW.
It’s a truly great EP!”
Daniel P James, BF FM, The Folk Show, Wales

“Currently listening to the new EP “Helm Winds” – It’s one of those artist-defining works, beautifully crafted and produced, to be released on 12th January.”
John Reed, Compendium Folk Show

Responses to the SELKIE CHILD EP

Michelle Laverick. When I call her a songwriter, she’s far more than simply that: she’s a consummate storyteller in the mould of – for instance – 70s folk icon, Bob Pegg. She has the same ability to harmoniously weave together many disparate strands: the arcane and uncanny, a keen sense of place, universal themes rooted in her own experience. These elements combine to bring us a personal mythology where nothing is quite as it seems.

All the songs are given plenty of time and space to unfold – in fact, at 30 minutes long, it’s more of a short album than an EP. The string arrangements by Jas Scott have echoes of Robert Kirby’s work with Nick Drake and Shelagh McDonald, and are particularly lovely on the closer, a reprise of Selkie Child. Michelle’s guitar playing is complex and melodic, yet understated enough to remain sympathetic to – and never threaten to overwhelm – the centrality of the songs.

In keeping with some sort of tradition, the accompanying booklet includes lyrics, chords and simple notation for those wishing to have a go at playing the songs themselves. I really do hope the people take her up on this offer – in Michelle Laverick, we have another talented storyteller to join the illustrious ranks of North East song makers. Just maybe, in the magical world she has invited us to enter, cherries will one day grow on apple trees.
KLOF Magazine

You can read more reviews of the Selkie Child EP on this page here

“It was a real pleasure to meet and hear Michelle play last week –
beautifully crafted lyrics, great guitar playing
and the wonderful way she works with the foot-operated drone –
her poise and experience make her a great writer and performer.”
Tom Robinson, BBC 6 Music

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